Drum Racks w/ Your Drum Pad - Normal Kit 4x4 Creation

Well, the other day I went over how to use the Novation Launchpad to find stabs, instruments, & other things during the production process. Today, I am going to talk about using your drum pad for elements that definitely need a nice rhythmic response from your pads...such as normal 4x4 drum kits. Having many of these ready to go can really help during the beat making & sample making processes. You can by all means use a tool like the Launchpad for this, but, for drumming, its nice to have really responsive pads in case you do not want to quantize after and are looking for a more natural (human) sound.

I use the M-Audio Trigger Finger for my drums. I like it because the pads are pretty strong, the way I like it, and I also have 8 knobs & 4 faders for controlling other parameters (I want to put a frequency shifter on each row, but I need to think about the best way to do that....which will probably be tomorrow).

Now, I have personally re-mapped the internal midi mapping to the Trigger Finger to work best with the drum racks within ableton. I have dedicated the whole controller on channel 16 to avoid confusion with my Launchpad, VCM 600, & Microkontrol.

I have mapped out memory banks 1-8 (meaning 16pads x 8 banks). That is the same amount as the maximum that the drum racks can hold. (or 128 samples). So each of my racks will have 128 samples starting from C -2, to G8). I have mapped each bank in an exact progression of that scale from banks 1 - 8....meaning, if I click bank one...the bottom left note mapping would be C-2, each pad moving up in midi sequence. If I switch to bank 2, it would be E-1, (again matching the drum rack in ableton). This way, I can switch between 8 total different kits just by switching the memory bank on my controller. So 8 kits per rack (max).

I have also mapped all the midi knobs and faders to be the same values whether on bank 1, or bank 2, bank 3, etc. So, I can have the exact same effect controls on them. This is my preference.

Now, today, I made tons of new kits...just surfing samples and dropping them into audio tracks (like explained in my launchpad drum rack tutorial). But instead of labeling them by genre its like this -

I made each 4x4 session clip spot match what I wanted on the drum pad.

Row 1 - Other Sounds
Row 2 - High Hats
Row 3 - Snares / Claps
Row 4 - Kicks

Of course some are different samples sounding like these elements, but I tried to stay in a rough template. I renamed the scenes to make it easier.


You can notice I messed up a little on the right with the names...but I went back and fixed it after I took the picture.

Start filling up your squares....dont be shy....add tons. You will have tons to choose from.

(I even had other tracks on the right side because I kept stumbling upon other samples I wanted in my launchpad racks, so mine looked like this) The first 8 rows are for drum kits.


So you've selected all your samples.

Now, just make a new midi track with a drum rack, and set the view down to c-2.

Here is the downfall to this method, which I learned today. Since when you drag from your audio clips into the pad, it puts whatever you have in scene 1, 2, 3, 4 in the bottom of the pad, and my kicks for instance, and horizontal through the tracks, you must select only kicks 1, 2, 3, 4, and then drag them into the drum rack. Then go back, select the snares, and drag them in. Again and Again.

After doing this, I realized, its probably much easier if I were to have named the scenes like this.

1- Kick
2 - Kick
3 - Kick
4 - Kick
5-Snare
6-Snare
7-Snare
8-Snare
9-HH
10-HH
11-HH
12-HH
13-Other
14-Other
15-Other
16-Other

If I would have made the drum racks I made vertically, I could just drag them by the whole GROUP into the drum pad. But, it really only took me and extra 7 minutes doing it my way....and I was easily able to visualize a pad when I was making it in the normal session view. So whichever way you like is fine. You can just drag into drum racks, but when surfing and finding certain elements in groups (like all snares, or all HH), the way the drum racks view works can be tricky because there are no labels to tell you what each row is. (ex. HH, Kicks, etc)

After that...click the little disk icon on your rack to save it...name it....and there you have 16x8 pads in one rack.

Now if you plan to improv with these kits, you will need to go in and adjust all the volumes (all in my launchpad drum rack tutorial).

Now, to make a new rack, just drag a new rack over your old one, and do it again until all your samples you chose are gone. I made 3 racks today...so about 384 drum samples.

Now, if I ever want to layer a drum sample, I can just use the overdub button, record within the midi track, and I have 128 samples to choose from. Nice options for building.

Now, time to figure out how to program effects based on the rows. I was thinking about separating the drum rack into 4 separate racks....containing only one row out of the 4x4 pad. Run them all together, and put the effects I want per row in each rack....but there has got to be a better way. I know I could throw them individually into each chain and then map them, but that will take fucking forever. Anyway, that will all be for tomorrow anyway.

Have fun making beats with your drum pad!

Peace!

FroBot

Novation Launchpad w/ Drum Racks - One of the BEST Production Tools Ever (not for clip launching)

The Novation Launchpad is a versatile midi controller that can serve many purposes other than just clip launching in a live set. Most people really only use it for this function, but in production, it can be one of the most handy devices ever. My track making process has become a breeze due to this thing.

What we are going to talk about today is using the Launchpad in conjunction with the drum rack inside ableton to help you organize your samples and have them ready for use at any second during the production process.

When you make a track by intertwining abletons session view and compose view, it can be very handy in creating the backbone to a track. Launch loops in scenes, sequencing sweeps and melodies, etc etc. But, once you have put together a nice backbone, you are missing the some of the MOST important elements...the random stabs or other quick noted instruments. They are what take a track from sounding loopy and repetitive, to atmospheric and musical.

One other problem that faces many producers, is that, if you are like me, you have an addiction to sample collection and creating. You enjoy having as many as possible. I have over 500 gigs of one shot samples, and it can get really confusing as to which ones to choose, and where to find them (considering a lot have abstract names having nothing to do with the sample within).

By using the drum racks, and saving them for later use, you can save time, and have a lot more options right at your fingertips during production.

The Novation Launchpad at 64 buttons for one shots at your disposal. It may not be as trigger friendly when compared to a regular drum pad, but in production, you will most likely be quantizing and adding effects to your one shots anyway, so this is not a big deal.

Its also handy that all you have to do to use the launchpad as a drum pad, is click the USER1 button, and its already mapped out to C1 - Dsharp6.

Lets start with how to organize your samples.

I like to set up a bunch of audio tracks within ableton at first, so I can drag my clips into them (you can just drag them into your drum rack, but i'll explain why I do this in a minute).

When surfing your samples, you will finds tons of different genres of samples you may like to use in production. Therefor, I name each audio track that I have created, based off a certain genre of sample. (ex. stabs, chords, guitars, ethnic hits, organic percussion, etc etc)

Then, just start surfing your samples, and dragging them into the appropriate audio track.


Another helpful tip for finding nice one shots amongst a mass amount of unorganized samples is to search by SIZE within the browser. Just right click the top of the title bar within the browser, and select the size option. Then, organize by the SMALLEST to Largest. This way, small one hit samples, anywhere from 4kb - 100kb, with show up first. These are smaller files and more likely to be one hits than longer samples.

Dont be afraid drag TONS of samples. You have 64 buttons to use in connection with the launchpad, so you can make tons of racks to be used later. (I made about 45 racks just today).

Once you have selected all your samples and moved them into audio tracks, the next little personal tip I will give you is to MIX THEM UP within the audio track. If you are using downloaded samples, there is a good reason for this. You may have put whole groups of samples from your browser into your audio track, and because they were all good and you MAY or MAY NOT want to use them...and you would rather have them then not, mixing them up really help to mix up sounds so the are not all totally similar within one rack. Randomization can be your best friend when making and electronic track, and the ability to record just by tapping on buttons can make for some nice combinations. Another good reason to do this, again, if you are using downloaded samples, is so that, if you do decide to use a few samples from one rack rhythmically, you arent using them all from the same maker. Mixing up different manufactures samples make it less possible that other producers will notice you using the same sample CD that they have.

I wouldnt go as far as to mix up different elements (like guitars with horns, or percussion with vocals)...but if there is a certain combination you would like to use, then by all means do it. This is just my preference. I usually have a sound I am going for, and then it gets changed a little bit by my choice of samples, but I still like to have a general genre of sample to look for. If you love just random making, mix it ALL up.

Now you have them just they way you want to put them into your drum rack. Your scene may get super high (mine were up to 500 scenes of samples within one track).

Now you need to make a midi track, and insert a blank drum rack. The bottom of the the rack view should conveniently already be at C1, which is the first note of your launchpad.

Go to your audio track that you want to move the samples from, and make sure it starts from scene one. Use the shift key, and select the samples within that track 1-64 (cause you have 64 buttons on your launchpad). Drag them over to your midi track, and put your mouse over C1. This will set all your 64 samples within your rack (C1 - Dsharp6). Now your samples are in your drum rack.


Now, you need to save it. Click the little icon in the drum racks top right corner that looks like a disc. This will prompt you to save it within your drum racks in your browser. Name it to your liking, and press enter. It is now saved for later use.

To repeat this process, just drag a blank drum rack over top of the old one, and it will be fresh again. Drag clips from your audio tracks into, name it, repeat.

It also helps to delete the samples from the audio track when you finish moving them just so you can remember things more easily. Also, it helps to then drag up the samples back to scene 1, unless you wanna do the division of 64, 128, etc, math every time. If you drag them back to the top, when you reselect them, you are always selection scenes 1-64. This can be a lot easier when making many racks at one time.

When you finish making your racks, make nice folders for them within your browser so you can find them easily later. Mine looks like this...so many racks!!!!


Now, anytime you want a certain sound when producing, just make a midi track, and drag your rack from the browser into the midi track...and WALAH, there is your rack. Much better than manually surfing through all your samples and testing them out like audio clips, and you can use your rhythmic side of drumming to sequence them.

By understanding chains and zones, you can even record a sequence of your rack, and apply certain effects to different samples you pressed. You can change the key of each, velocity, etc etc within the sample editor of each sample too.

A few tips about this method -

Samples will all have different volume levels. This is bad for improving, but not a big deal if you are producing because you can change the volume to suit the track, which you would be doing anyway. If you want to do a little bit of extra work, you can go within each sample in your drum track and change the volume of each so they are all the same. Just move the volume parameter on the right side of the sample, and watch the meter beside it. When its reaching around 0db, it should be fine.

Also, I dont usually like to put my highhats & snares into drum pads. There is a reason for this. I like to separate my elemental parts (kicks, snares, HH, etc) into a different section of my set. The reason for this, is 100% of the time, I need to change the frequency and tone to match the track I am making, so I like a frequency shifter (and usually an EQ8) to be sitting within the those particular tracks. You could however put one right after your rack, but I actually like to work with those samples via audio, not midi. Its nice when slicing them on the fly, or applying beat repeat. But this is just my preference, many producers loving using midi to make beats.

Also, when using one shots, its best to have all your samples on an external HD so you dont waste up space on your computer. When I make tracks, I always plug it in. When I go out to play, I manage my set and save the samples I want to use live to my computers HD. The reason for this is, I dont want to lug extra gear around...and also, if you are using a firewire 800 HD like I am, there are some issues when using a firewire sound card and a firewire HD at the same time since they are on the same bus. That is for another blog all together.

Well, thats it for drum racks. I can honestly say, the launchpad is my essential tool in the track making process. For finding samples, testing samples, and organizing samples. Its more than just a clip launcher. In conjunction the with VCM 600 for mixing...it doesnt get much better than this!

Have fun, and keep making them funky ass tracks!

Peace!

FroBot